All George Henry Durrie 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
79906 Cider Pressing  Cider Pressing   Oil on canvas, 22.25 x 30.25in Date 1855(1855) cjr
83859 Cider Pressing  Cider Pressing   Oil on canvas, 22.25 x 30.25in Date 1855(1855) cyf
79765 Gathering Wood for Winter  Gathering Wood for Winter   Oil on canvas, 26 x 36 in Date 1855(1855) cjr
83723 Gathering Wood for Winter  Gathering Wood for Winter   Oil on canvas, 26 x 36 in Date 1855(1855) cyf
79756 Going to Church  Going to Church   Oil on canvas, 22 x 30 in Date 1853(1853) cjr
83712 Going to Church  Going to Church   Oil on canvas, 22 x 30 in Date 1853(1853) cyf
79907 Haying at Jones Inn  Haying at Jones Inn   Oil on canvas, 22 x 30 in Date 1854(1854) cjr
83863 Haying at Jones Inn  Haying at Jones Inn   Oil on canvas, 22 x 30 in Date 1854(1854) cyf
83709 he Half-Way House  he Half-Way House   Oil on canvas, 36 x 54 in Date 1861(1861) cyf
83603 Hunter in Winter Wood  Hunter in Winter Wood   Oil on canvas, 36 x 54 in Date 1860(1860) cyf
83711 Jones Inn Winter  Jones Inn Winter   Oil on canvas, 18 x 24 in Date 1853(1853) cyf
79755 Jones Inn, Winter  Jones Inn, Winter   Oil on canvas, 18 x 24 in Date 1853(1853) cjr
72123 Material and Dimensions  Material and Dimensions   Material and Dimensions: Oil on canvas, 35 x 51 in 1852(1852)
73730 Material and Dimensions  Material and Dimensions   Oil on canvas, 35 x 51 in Date 1852(1852) cyf
83713 Red School House  Red School House   Oil on canvas, 26 x 36 in Date 1858(1858) cyf
79757 Red School House, Winter  Red School House, Winter   Oil on canvas, 26 x 36 in Date 1858(1858) cjr
71295 Summer Landscape Near New Haven  Summer Landscape Near New Haven   ca. 1849(1849) Oil on canvas 90 x 125.4 cm (35.43 x 49.37 in)
79753 The Half-Way House  The Half-Way House   Oil on canvas, 36 x 54 in Date 1861(1861) cjr
83718 The Old Grist Mill  The Old Grist Mill   Oil on canvas, 26 x 36 in Date 1862(1862) cyf
79762 Winter Farmyard and Sleigh  Winter Farmyard and Sleigh   Oil on canvas, 26 x 36 in Date 1860(1860) cjr
83720 Winter Farmyard and Sleigh  Winter Farmyard and Sleigh   Oil on canvas, 26 x 36 in Date 1860(1860) cyf
79813 Winter in New England  Winter in New England   Oil on board, 19.25 x 25 in Date ca. 1852(1852) cjr
83801 Winter in New England  Winter in New England   Oil on board, 19.25 x 25 in Date ca. 1852(1852) cyf
83722 Winter in the Country  Winter in the Country   Oil on canvas, 26 x 36 in Date 1861(1861) cyf
79763 Winter in the Country, Distant Hills  Winter in the Country, Distant Hills   Oil on canvas, 26 x 36 in Date 1861(1861) cjr
79761 Winter in the Country, The Old Grist Mill  Winter in the Country, The Old Grist Mill   Oil on canvas, 26 x 36 in Date 1862(1862) cjr
79754 Winter Scene in New England  Winter Scene in New England   Oil on canvas, 18 x 24 in Date 1859(1859) cjr
83710 Winter Scene in New England  Winter Scene in New England   Oil on canvas, 18 x 24 in Date 1859(1859) cyf
38351 Winter Scene in New Haven,Connecticut  Winter Scene in New Haven,Connecticut   mk136 Oil on canvas About 1858

George Henry Durrie
American Painter, 1820-1863,American painter. Durrie and his older brother John (1818-98) studied sporadically from 1839 to 1841 with the portrait painter Nathaniel Jocelyn. From 1840 to 1842 he was an itinerant painter in Connecticut and New Jersey, finally settling permanently in New Haven. He produced c. 300 paintings, of which the earliest were portraits (e.g. Self-portrait, 1839; Shelburne, VT, Mus.); by the early 1850s he had begun to paint the rural genre scenes and winter landscapes of New England that are considered his finest achievement. His landscapes, for example A Christmas Party (1852; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.), are characterized by the use of pale though cheerful colours and by the repeated use of certain motifs: an isolated farmhouse, a road placed diagonally leading the eye into the composition, and a hill (usually the West or East Rocks, New Haven) in the distance. By the late 1850s Durrie's reputation had started to grow, and he was exhibiting at prestigious institutions, such as the National Academy of Design. In 1861 the firm of Currier & Ives helped popularize his work by publishing prints of two of his winter landscapes,

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